Category Archives: Posted elsewhere

I'm gonna totally overhaul this website real-soon-now. So: a few months back, I woke up not just with a hard-on but very specifically with a hard-on for Hackathons. New Orleans is lately awash in undersunned messianic dweebs who seem to … Read the rest of this entry →

People have opinions on my food truck article. I write provocatively. It's a choice, to the degree anything I do is a choice vs. a symptom of pathology. Among the reasons I publish in Antigravity is that I find it … Read the rest of this entry →

As a New Orleans anarchist, I'm involved in helping organize the 4th annual North American Anarchist Studies Network conference. Some of my best friends are academics, and I love learning from them, but I don't generally find the scholarly facets … Read the rest of this entry →

This article was published in the September 2012 issue of Antigravity Magazine. Incomparable illustrations by the incomparable Ben Passmore!!! Everyone Hates the Oogles Exploring the animosity towards New Orleans' panhandling punks I was at a party a few weeks ago … Read the rest of this entry →

I recently finished and posted the final piece of The Murder of the Times-Picayune, a gigantic series on the destruction of my community's daily newspaper. It's easily the most ambitious piece of nonfiction writing I've ever undertaken; I'm proud of … Read the rest of this entry →

Each new version of Flash I pirate takes me longer to master; this must be what old age feels like. After sloshing my Ensure into the laptop, nonservi.am/002, "Underfoot," now exists online, as you can see above, with Erin Wilson art making it oh so easy on the eyes! I have been handing out the print copies piecemeal the last six weeks or so, but will shortly be distributing the final full numbered run of » Read more
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What's six months? The blink of an eye, surely. Nevertheless, it is time the second issue of nonservi.am was, to quote the estimable Bolt Thrower, "Unleashed... Upon Mankind." This second issue looks gorgeous, thanks to Erin Wilson's art, and contains the meticulously unpleasant prose that's the Jules Bentley hallmark. It will get its own post, but if you'd like a copy-- as with the first number, there will » Read more
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